A couple decides to live together in an octopus room to pay off their debts. The couple decides to try their best to get out of here, but the husband gets into an accident at a construction site that he is not used to. The couple who incurred debt because of this…
In Japanese haiku, a kireji, or cutting word, typically appears at the end of one of the verse’s three phrases. A kireji fills a role analogous to that of a caesura in classical western poetry or to a volta in sonnets. A kireji helps mark rhythmic divisions. Depending on which cutting word is chosen and its position within the verse, it may briefly cut the stream of thought, suggesting a parallel between the preceding and following phrases, or it may provide a dignified ending, concluding the verse with a heightened sense of closure.
The kireji lends the verse structural support, allowing it to stand as an independent poem. The use of kireji distinguishes haiku and hokku from second and subsequent verses of renku; which may employ semantic and syntactic disjuncture, even to the point of occasionally end-stopping a phrase with a sentence-ending particle (終助詞, shūjoshi).
In English, since kireji have no direct equivalent, poets sometimes use punctuation such as a dash or ellipsis, or an implied break to create a juxtaposition intended to prompt the reader to reflect on the relationship between the two parts. Poetry is art. This seemed to be art without a kireji
Mike
7 months ago
It is hard to find hard-working, qualified workers. In this job market you have to compete on benefits.
Care to share your rough age, the nation where you reside, how long you’ve been commenting here, and whether you’ve commented with other names?
I’m in my 60s, live in California, commented here since roughly April 2022 (and went a year without being trolled/spoofed, but someone imitates my posts 20 to 40 times a day since Mother’s day. . . Including using hyperlinks. . .) and I do a number of User Submissions.
Would love to learn more about who posted this comment
Mike
7 months ago
It’s been a while since Nagae Style started venturing into social realism. I wonder whether Nagae himself and his heir?, Tomitake Taro, were influenced by Ken Loach. Their movies often depict the struggle of the working class and the breaking point where a small trigger can spark social revolution like a wild fire. They also hint at its eventual failure, as the same societal structures and power dynamics that kept workers in near misery are reproduced with few long-lasting structural changes.
Different “Mike” I’m curious. Especially since you referenced a British director I’d never heard of, had to look up . . .
Care to share your rough age, the nation where you reside, how long you’ve been commenting here, and whether you’ve commented with other names?
I’m in my 60s, live in California, commented here since roughly April 2022 (and went a year without being trolled/spoofed, but someone imitates my posts 20 to 40 times a day since Mother’s day. . . Including using hyperlinks. . .) and I do a number of User Submissions.
Would love to learn more about whoever posted this comment
Last edited 7 months ago by Mike
Marko
7 months ago
More this beautiful films
Wanker
7 months ago
Love Nagae works for those nearly impossible “fucked out of her mind until she likes it” stories but the acting was too spot on for this one.
wongAliem
7 months ago
onok onok wae idene wong jepang
Alatriste.
6 months ago
Please we need captions or subtitles. I want to know what is she saying. Great acting she got fucked until she love it. Nice fantasy of cuckold husbands.
Found this description on line
A couple decides to live together in an octopus room to pay off their debts. The couple decides to try their best to get out of here, but the husband gets into an accident at a construction site that he is not used to. The couple who incurred debt because of this…
She fed their baby
Smiling, reassuring. But
Her husband was fraught
The room was so full
as their baby was crying
She took out a breast
Remember that phase. Except it was in restaurants . . .
Actually, restaurants, park swing areas. . .. baby gymnasiums for baby birthday parties. Not in a situation like in this movie. . .
She handed her babe
To her husband, all wrapped. Snug.
And then she went in
He saw the semen
as expected – but was shocked
On seeing her wrist
Never her own self
Money is life quantified
Capitalism
In Japanese haiku, a kireji, or cutting word, typically appears at the end of one of the verse’s three phrases. A kireji fills a role analogous to that of a caesura in classical western poetry or to a volta in sonnets. A kireji helps mark rhythmic divisions. Depending on which cutting word is chosen and its position within the verse, it may briefly cut the stream of thought, suggesting a parallel between the preceding and following phrases, or it may provide a dignified ending, concluding the verse with a heightened sense of closure.
The kireji lends the verse structural support, allowing it to stand as an independent poem. The use of kireji distinguishes haiku and hokku from second and subsequent verses of renku; which may employ semantic and syntactic disjuncture, even to the point of occasionally end-stopping a phrase with a sentence-ending particle (終助詞, shūjoshi).
In English, since kireji have no direct equivalent, poets sometimes use punctuation such as a dash or ellipsis, or an implied break to create a juxtaposition intended to prompt the reader to reflect on the relationship between the two parts. Poetry is art. This seemed to be art without a kireji
It is hard to find hard-working, qualified workers. In this job market you have to compete on benefits.
Different “Mike” I’m curious.
Care to share your rough age, the nation where you reside, how long you’ve been commenting here, and whether you’ve commented with other names?
I’m in my 60s, live in California, commented here since roughly April 2022 (and went a year without being trolled/spoofed, but someone imitates my posts 20 to 40 times a day since Mother’s day. . . Including using hyperlinks. . .) and I do a number of User Submissions.
Would love to learn more about who posted this comment
It’s been a while since Nagae Style started venturing into social realism. I wonder whether Nagae himself and his heir?, Tomitake Taro, were influenced by Ken Loach. Their movies often depict the struggle of the working class and the breaking point where a small trigger can spark social revolution like a wild fire. They also hint at its eventual failure, as the same societal structures and power dynamics that kept workers in near misery are reproduced with few long-lasting structural changes.
Different “Mike” I’m curious. Especially since you referenced a British director I’d never heard of, had to look up . . .
Care to share your rough age, the nation where you reside, how long you’ve been commenting here, and whether you’ve commented with other names?
I’m in my 60s, live in California, commented here since roughly April 2022 (and went a year without being trolled/spoofed, but someone imitates my posts 20 to 40 times a day since Mother’s day. . . Including using hyperlinks. . .) and I do a number of User Submissions.
Would love to learn more about whoever posted this comment
More this beautiful films
Love Nagae works for those nearly impossible “fucked out of her mind until she likes it” stories but the acting was too spot on for this one.
onok onok wae idene wong jepang
Please we need captions or subtitles. I want to know what is she saying. Great acting she got fucked until she love it. Nice fantasy of cuckold husbands.